Aisling Davis

Water West Yorkshire
Train Approaching
Water West
The Saga
Glockenspiel
Flowing
Evening
Drop
Creature Coming In For A Look
Big Waves
Alien Fight On A Radio

Extract from Uisce (below) featured in Recording Life In Sound (SARU 2019).

Aisling Davis is a multi-instrumentalist, artist, sculptor, and writer from West Yorkshire. Her work navigates history, topography, and anthrozoology. With bands ‘Inland Taipan’ and ‘The Capoeira Band’, she has recorded at Abbey Road, composed for film, and written for orchestra. As of May 2019 she became managing director of Braille Pottery Ltd, a company dedicated to the production of ceramics for the visually impaired. Past exhibitions include: Ice-Cream for Crow, Captain Beefheart exhibition, 2017. Soundtrack: The Acting Class, winner of Best UK Feature at the Labour Film Festival, 2017. Psychedelic Adventures of Clean machine, Fabric District International, 2018. The Resurrection of Geoffrey Firming: Bluecoat Gallery Liverpool, 2018. TURF: Scale Gallery, 2019.

Recording Life In Sound

Make an effort to exhaust the subject, even if that seems grotesque, or pointless, or stupid. You still haven’t looked at anything, you’ve merely picked out what you’ve long ago picked out.

(Georges Perec; Species of Spaces; 1974)

On a rainy day in Oxford more than ten years ago Felicity Ford and Paul Whitty set up a project with the aim of recording everyday life in sound – to resist the overwhelming tide of visual images of the everyday and to meet it with the abundant soundings of vending machines, luggage carousels, toasters, escalators, boilers, garden sheds, wheeled luggage. We followed the writer Georges Perec’s instruction to exhaust the subject, not to be satisfied with a cursory glance, not to be satisfied to have identified what we already knew – what we had already heard – but to look again or in our case to listen, to keep listening, to listen long after it would probably have been more sensible to stop. That project was Sound Diaries.

This project celebrates ten years of Sound Diaries with contributions from twelve artists who responded to our open call;

We are interested in everyday sounds and sounding contexts from cutlery drawers to bus stops to self- service checkouts. Projects can take many forms but should focus on documentary recording of everyday sound.

Sound Diaries expands awareness of the roles of sound and listening in daily life. The project explores the cultural and communal significance of sounds and forms a research base for projects executed both locally and Internationally, in Beijing, Brussels, Tallinn, Cumbria and rural Oxfordshire.

We have invited twelve artists to create new projects and you can hear the artists present their work on July 13th 2019 at The Jam Factory in Oxford. Admission is free and all are welcome.

Here’s the programme:

11:00 – 11:20 Richard Bentley Sweep

11.25  – 11.45 Hannah Dargavel-Leafe Conduit

11.50 – 12:10 Kathryn Tovey Walking with another

12.45- 13.05 Aisling Davis Uisce

13.10 -13.30 Jacek Smolicki Inaudible Cities

14:10 – 14:30 Atilio Doreste Muffled Sounds

14.35 – 14.55 Beth Shearsby

15.00 -15.20 Lucía Hinojosa Forgetting 1993

15.45- 16.05 Fi.Ona SoundStamps

16.10 – 16.30 James Green Sounding 24h

16.35 – 16.55 Marlo De Lara aural investigation of everyday britain

Open Call Artists Announced

We had an amazing response to our Open Call with many fantastic and innovative project proposals – thanks to everyone who responded. The successful artists are:

Richard Bentley
Hannah Dargavel-Leafe
Aisling Davis
Atilio Doreste
James Green
Lucía Hinojosa Gaxiola
Sena Karahan
Marlo De Lara
Fiona AR Patten
Kathryn Tovey
Beth Shearsby
Jacek Smolicki

The successful Artists visited audiograft festival in March to introduce and discuss their projects and we are looking forward to welcoming them back in July to present their work and to launch the SARU publication celebrating ten years of the Sound Diaries project.

Watch this space for more information about our event in July and the publication!