In your piece for Sound Diaries, I very much appreciated your appreciation of lessons from canine companions and furthermore creating a piece I felt was heavily informed by Donna Haraway. Since then have you developed any works framed by her theories?
Currently, I am working on a community sound walking project in the West End of Morecambe focusing on the ecology of the area. I cannot say that my work since has been framed by Haraway’s theories as such, but they perhaps share a similar sense for the philosophy of her theories. They do, therefore, inform how I approach the process of thinking and making work.
Would you consider your work as being in dialogue with eco-feminism? Why or why not?
My work is in dialogue with threads of ecofeminism, though it is rarely a conscious association for me. The focus is mostly a curiosity with the movement of animals. In a previous work, I performed as a fictional sea creature informed by my own movements as a woman adapting to a damaged landscape. It was a futile attempt of anthropomorphism for me, to encourage critique of its own projection and to instead, embody wildness from within and to empathise with species. Growing up on the North East coast, I was personally drawn to the ecology of coastal landscapes. The sound of Kittiwakes, the shape of the caves carved by the ghosts of miners and the waves, the ship building that has now fallen silent, have all manifested into a visual present. Just as the pebbles are tinted red by the mines where my great grandfather worked. I also began to explore concepts of ‘making kin’ through human and canine relationships. It is in this process of mutual aid and participation as co-creation, that I feel connects with ecofeminism’s embrace of open diversity and care.
At the beginning of the pandemic, we often heard a narrative about the earth or nature fighting back during quarantine. In these heightened times, how do you think humanity/civilization could be, or is currently, able to learn from the environment?
I think that the public perception of these narratives has been influential, allowing more time for thinking, learning, and caring for one another (human and non-human). It seems the time offered a reconnection with nature, that hopefully can inspire communities to incorporate alternative ways of living. The stories we have heard of animals returning to areas otherwise occupied by humans, give the impression that nature is fighting back. This may, however, not be the case – but it is a projection of hope that animal and plant species can quickly return if given the chance.
