You can hear more sounds from Great Milton Recreation Ground here.
The Sound Diaries advent calendar returns this December with twenty four sounds of 24″ duration from our growing archive of audio documentation of grassroots football.
Expect white-line marking; lawn mowing; apoplectic coaches; gale force winds; reversing trucks; despairing goalkeepers; disinterested spectators; rattling dugouts; lacklustre rounds of applause; and football not happening!
You can hear more sounds from Sutton Courtenay Recreation Ground here and here.
The Sound Diaries advent calendar returns this December with twenty four sounds of 24″ duration from our growing archive of audio documentation of grassroots football.
Expect white-line marking; lawn mowing; apoplectic coaches; gale force winds; reversing trucks; despairing goalkeepers; disinterested spectators; rattling dugouts; lacklustre rounds of applause; and football not happenning!
The soundscape at the Sutton Courtenay Recreation Ground – home of Sutton Courtenay FC – is dominated by traffic noise from the A34, A4130 and the Milton Interchange. There is birdsong from nearby hedgerows and poplars; and occasional air traffic that activates the air with slowly phasing vibrations. Didcot Power Station stands to the South of the village. As part of Get Rid! I have been visiting football pitches and making recordings of the sound of football not happening – the sound of the absence of football. I made this recording on a visit to the Recreation Ground in March:
One evening – several weeks later – I headed back to see Sutton Courtenay FC take on Westminster in the North Berks League Division two. During the second half I stood behind the Westminster goal on the South side of the park. Amongst the first sounds that can be heard in the recording are those of a penalty being converted – the thump as the ball is struck; the crack as the ball hits the back of the net – followed by sporadic applause. The sound of the ball being struck is thunderous at times and travels farther than any other sounds of the game – like a bird-scarer or gunshot. As the play moves towards and away from the Westminster goal the sound of boots striking the ball is a constant.
What interests me about the experience of listening to the game from behind the goal is the ebb and flow of the sound as the focus of the game moves from end to end. As the play approaches the westminster goal the listener’s attention is drawn away from the soundscape of tyres on asphalt, birdsong and vibrating air to the shouts of the players. The waves of activity bring sound with them and take it away again. This is mobile sound-making. As the play moves away from the Westminster goal the voices of the players begin to articulate the space of the pitch as their commands bounce off the walls of the pavilion and spill out into the surrounding lanes and fields: