Tag: white noise

00.54 …at Gloucester Green

On a recent visit to Berlin to perform it pays my way and it corrodes my soul with Stephen Cornford at LEAP, I made these recordings. Whenever I could I stopped and recorded my situation from the raucous queue outside a nightclub in Oxford to the escalators at Stansted and a Mexican dinner in Berlin. The recordings were made using an Edirol R-09HR.

Extra context here.

[mejsaudio src=”http://www.sound-diaries.co.uk/wp-content/uploads/2011/12/00.54-…at-Gloucester-Green.mp3″]
00.54 …at Gloucester Green

Berlin Sound Diary

At Audiograft last year, Paul Whitty and Stephen Cornford performed a piece at Modern Art Oxford entitled it pays my way and it corrodes my soul. This piece utilises a reel-to-reel tape-player, the expected role of which is subverted and transformed throughout the performance. The audience do not hear recorded sounds being played back through it – as is its anticipated function – instead, we hear the sounds of the machine itself as it is dismantled:

A reel-to-reel tape recorder is switched on and it’s mechanism amplified with a variety of microphones while it is taken to pieces. The sounds produced are then fed through an array of pedals: the machine’s belts, gears, switches and casing becoming an instrument subjected to a live audio autopsy. The piece was premiered at the Audiograft Festival at Modern Art Oxford in February 2011 and has since been performed at The Horse Hospital, London and LEAP, Berlin.

http://scrawn.co.uk/19.html

During the recent trip to Berlin to perform the work, Paul produced a Sound Diary documenting the whole journey from Oxford to LEAP and home again:

On a recent visit to Berlin to perform it pays my way and it corrodes my soul with Stephen Cornford at LEAP, I made these recordings. Whenever I could I stopped and recorded my situation from the raucous queue outside a nightclub in Oxford to the escalators at Stansted and a Mexican dinner in Berlin. The recordings were made using an Edirol R-09HR.

The resulting collection of recordings contextualises the performance within the sounds and stories of the world, blurring the distinctions between life and art, and revealing the sequences of sounds which precede and follow the designated cultural experience. As the role of the tape-player is subverted in the performance itself, so is the role of documentation in Paul Whitty’s resulting sonic work. Rather than existing merely to evidence the performance of it pays my way and it corrodes my soul at LEAP, the Berlin Sound Diary becomes a piece in its own right, extending the function of documentation in the same way that the performance extends the sonic and imaginative possibilities of an old reel-to-reel tape player.

Paul’s Berlin Sound Diary will be released day by day here, throughout January, as we consider the role of the Sound Diary and Sonic Documentation in the run up to this year’s Audiograft Festival at Oxford Brookes.

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00.15 …at the corner of Speedwell Street and St. Aldates

19th December

From the 1st – 24th December, we will reveal 24 seconds of sound from a warmer place here on the sound-diaries blog, taken from either Paul Whitty or Felicity Ford’s collections of holiday recordings.

Today’s sound was recorded by Paul Whitty, and features the sounds of a campfire on a beach in Seaside, Oregon, USA, shortly before the roasting of some marshmallows commenced.

[mejsaudio src=”http://www.sound-diaries.co.uk/wp-content/uploads/2011/12/December-19th.mp3″]

14th December

From the 1st – 24th December, we will reveal 24 seconds of sound from a warmer place here on the sound-diaries blog, taken from either Paul Whitty or Felicity Ford’s collections of holiday recordings.

Today we are deviating from this plan to bring you a recording from Mike Blow’s collection instead; this is the sound of cicadas from summer nighttime in Samos, in Greece. Recorded by Mike Blow.

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