The histories of architecture in the city are ‘scrolls’ waiting to be discovered and ‘read’ (Calvino, 1972). While investigating these scrolls through the practice of walking the streets of the city accompanied by wheeled luggage, I have found a ‘stylus’ for reading the pavement topography, the skin of the city. The wheels of the luggage bag connect directly with the built environment, rather like putting the needle on a record: a record that is city-sized and can be played in any direction. This practice presents a way of recording, mapping, and sonifying the streets of the city.
Put The Needle On The Record was created by Loz Colbert. Find out more about the project here.
From my sound diary 26092019: Turned up early and got coffee in a diner. The luggage bag recording was of me going to the day room, walking up the hill. I’ve been experimenting with video here and I want people to be able to see the surfaces they are listening to, I think this is best… in some ways it has to be there as a visual thing. The patterns on the road, the objects etc.. and their relationship to the sound and story.. they all relate.
Arriving and being in a historical place of such ‘traditional’ musical heritage, I made field recordings of the pavement – or ‘sidewalk’ as it is known. Yet in some ways this is the most dynamic form of reportage I could do – to get up close to the material, the story, the real life, as it is now. What is the sound of the street, when you play it like a record? And which musicians have walked these streets I am trawling along now? What state were they in? Where were there careers heading, pulling back from? Nashville is one of the main centres of musical activity and industry in the USA, but also has the most colleges and universities after NYC/Boston, and it is known for its healthcare. What characters have walked these streets in the past? Students, academics, vagrants… How has Nashville and its network of streets been shaped – if at all – by its own musical history and musical ‘legend’ (and legends)? If anything ‘Nashville’, and the idea of a music city lives above the streets as a romantic idea, not on them. What lies on the streets is more the truth of the matter: pavement forms created by municipal protocols and economic constraints; impacted with social and societal encounters leaving traces such as dried bubble gum, spilt drinks of various consistencies, litter, scratches, dents… devastation and entropy lie waiting on the outskirts of what is clear to see..